The past half decade of Houston music has been an intriguing one to say the least. The plethora of artists who have been carving out their own lane has been tremendous and its given Houston when it comes to the sonics of their sound. One of the leaders of making his own wave is Billyracxx, an abstract act with International appeal that can’t be denied.
Read MoreThe vastness of music today has altered the game and it’s now operating in different facets of life that integrate the music on a grand level, one of the key playmakers making things shake is Timeless Music’s own Birdman Zoe.
Read MoreAt such a young age, Wiardon has already crafted hits for the likes of Lucki, Baby Smoove, $ha Hey, Mavi, and more. The distinctive class of artists he chooses to work with goes to show his range when it comes to his sound. The ability to display an retro-esque Northeastern sound to dropping off modern West Coast rhythms, Wiardon is delivering a new perspective to the game with his versatility.
Read MoreWith just these household names in mind, it is obvious that Houston has been pressing the agenda recently in terms of the versatility of its music scene, so it is only right that it started expanding outward into the less known suburb of Conroe.
Read MoreI am definitely not one for outright hate towards the work of just about any artist. Especially if that artist has spent years refining their craft, taking criticism to the jaw, putting their nose to the grindstone, and focused on earning their spot in the industry.
Read MoreErase the jazz you’d find splattered all over Injury Reserve’s previous material and highlight the, well highlight a bunch of things. Start by highlighting Parker’s simplistic chaos. Highlight Ritchie’s new developed aptitude as an MC and Grogg’s storytelling that ages like wine. The list could easily go on. Injury Reserve is the dime you’d find digging through a bunch of low-key records without having a single clue of what you were about to experience. Trying to categorize this thing is virtually impossible.
Read MoreSince the release of his critically-acclaimed 2014 album, Salad Days, Mac Demarco has maintained his position as one of the most recognizable faces in indie music, putting out albums every other year. However, none of them have ever seemed to reach the success of Salad Days; 2015’s Another One EP felt like B-sides of it’s predecessor, while 2017’s This Old Dog did present a somewhat new sonic palette, the project still relied heavily on already established Mac-motifs.
Read MoreSeeing that New York City urban music has taken prominence once again in the spotlight with setting record album sales and winning great titles, it’s a new generation of artists under that fold that’s molding their own wave in the process. On the frontline stands some of the toughest lyricists in the “City That Never Sleeps”, one of them being Brooklyn’s own Radamiz.
Read More
